Throwback Thursday: Jeweler’s Dive

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In 1998 I recorded a song called Jeweler’s Dive. It was one of only a few jazz-inspired drum and bass tracks I made during my loungy, loungy period of the late ’90s. An edited version enjoyed a mini-celebrity on Terminal Beats, a compilation released by indie jungle Chicago outfit Forte Recordings. (Old school ruffians will remember Midwest legends 3D and Snuggles.)

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From the Archives: Awkward ’90s Electronica

mini me

Get in, loser. We’re robbing a candy store.

They say that anything worth doing is worth doing badly. This has been 100% true for my efforts in electronic music.

Here are some highlights from my wobblier days as a dance music producer, from about 1993 to 1997. (Back then I was recording under the name Wix.)

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The Casual Elitism of Only Lovers Left Alive

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Eve: “Yasmine. She’s Lebanese. I’m sure she’ll be very famous.”

Adam: “God, I hope not. She’s way too good for that.”

An elite indifference lurks at the heart of Only Lovers Left Alive (2013), Jim Jarmusch’s anti-love story between an unlikely pair of ancient vampires Adam and Eve, played by a criminally underfed Tom Hiddleston and Tilda Swinton.

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