I’m beyond pumped to be the latest guest on the B-Side Breakdown podcast! I got to talk with Brett about some of the music projects I’ve been involved with over the last few years, including Thrill Behind Barks, The Seven Whores of the Apocalypse, and more.
You can stream the episode here or on your favorite podcast platform.
Many thanks to Three Crows Club and Brett Johnson!
We return to a pivotal moment at the Witch Mountain Children’s Institute when Sarah meets her new best friend Sarah, also under the “care” of doctors with shall we say questionable motives.
A new scene is revealed: both Sarahs undergo extensive testing to probe their suspected psychic abilities, shortly before they combine their powers to attack their captors and finally break free from the institute. These test session tapes survived.
The Black Anise Mix of Bewitch doesn’t play any fucking games: pounding polyrhythms, screeching distortion, and reverse FX come at you from all directions at once in this 20-minute journey into horror.
It’s been a minute since I’ve released music under my own name. I’ve spent most of 2020 working on tracks for my drum & bass avatar Orbr, and now it’s time to turn my attention to the darker, less structured side of my musical efforts.