We return to a pivotal moment at the Witch Mountain Children’s Institute when Sarah meets her new best friend Sarah, also under the “care” of doctors with shall we say questionable motives.
A new scene is revealed: both Sarahs undergo extensive testing to probe their suspected psychic abilities, shortly before they combine their powers to attack their captors and finally break free from the institute. These test session tapes survived.
This album has it all: dripping synths, ridiculous Tubular Bells ripoff piano themes, dadaist nonsense noise collages, and more.
Cut to a grainy 35-mm trailer with a low-voiced guy saying:
Sarah’s a normal, healthy 9 year-old girl — until recently. Her parents have started to think there might be something a bit off about their sweet little angel.
Where she used to joyously jump rope, now she just stares. Where she used to roller skate, now other kids avoid her strange aura. Where she used to solve puzzles, now she ponders the impenetrable mysteries of the human mind.
Hypnosis, telepathy, telekinesis; no one knows what she’s capable of next. One thing is for certain: there’s something wrong with Sarah.
The Black Anise Mix of Bewitch doesn’t play any fucking games: pounding polyrhythms, screeching distortion, and reverse FX come at you from all directions at once in this 20-minute journey into horror.