Who doesn’t love a little throwback exploitation realness?
My soundtrack to the totally fake film There’s Something Wrong with Sarah is a love letter to the godawful low-budget horror film soundtracks of the 70s and 80s.
This album has it all: dripping synths, ridiculous Tubular Bells ripoff piano themes, dadaist nonsense noise collages, and more.
Cut to a grainy 35-mm trailer with a low-voiced guy saying:
Sarah’s a normal, healthy 9 year-old girl — until recently. Her parents have started to think there might be something a bit off about their sweet little angel.
Where she used to joyously jump rope, now she just stares. Where she used to roller skate, now other kids avoid her strange aura. Where she used to solve puzzles, now she ponders the impenetrable mysteries of the human mind.
Hypnosis, telepathy, telekinesis; no one knows what she’s capable of next. One thing is for certain: there’s something wrong with Sarah.
A few months ago I joined forces with Divider Line and The Creeping Man to form the local experimental supergroup Thrill Behind Barks. Today we released our first full-length album.
I’m delighted to announce the release of The Vanishing House, a two-hour collection of dark ambient and experimental offerings.
This release marks a long-overdue revival of a beloved annual ritual: the Halloween mixtape. I’ve been too busy with original music projects these last few years to produce a mixtape as well, but this year I made sure to find the time. My first three Halloween mixtapes were Dead Punks (2007), a tribute to early goth; You’ve Been Sick (2009), a love letter to asylum horror; and Pray For Death(2010), dedicated to religious horror and possessions.
For my next haunted mixtape, I present a sonic swarm of blood-choked screams, growling ambient hellscapes, serial killers, the possessed, and the insane.