They say that anything worth doing is worth doing badly. This has been 100% true for my efforts in electronic music.
Here are some highlights from my wobblier days as a dance music producer, from about 1993 to 1997. (Back then I was recording under the name Wix.)
Here’s a blast from the past. Sometime in the late ’80s, while still figuring out how to sync up my MIDI studio, a friend and I made an amazing discovery: we could use a drum machine to drive the synthesizers!
My latest original music project is now available on Bandcamp.
Click here to stream or download.
Happy Halloween 2019! 🎃
I’m delighted to announce the release of The Vanishing House, a two-hour collection of dark ambient and experimental offerings.
This release marks a long-overdue revival of a beloved annual ritual: the Halloween mixtape. I’ve been too busy with original music projects these last few years to produce a mixtape as well, but this year I made sure to find the time. My first three Halloween mixtapes were Dead Punks (2007), a tribute to early goth; You’ve Been Sick (2009), a love letter to asylum horror; and Pray For Death (2010), dedicated to religious horror and possessions.
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Every spring I bust out the Brazilian pop music. A few gems stood out, so I dug up the lyrics and ran them through Google translate. The results are refreshing and delightful, if a tad schmaltzy. But they are also irresistible!
Check these out:
My first exposure to Lone was the refreshing and delightful (if slightly half-baked) Emerald Fantasy Tracks from 2010. Like so many of my electronic albums, I have absolutely no idea how I stumbled upon it. I’m so glad I did. Galaxy Garden, his follow up collaboration with Machinedrum, made it into my top 20 favorite albums of all time. I’ve been a devoted fan ever since.
Jason Herrboldt 