
Here are all of my mixtapes, all in one post. Enjoy!
The Birth of Liquid (Faze One)
The Birth of Liquid (Faze Two)
Here are all of my mixtapes, all in one post. Enjoy!
The Birth of Liquid (Faze One)
The Birth of Liquid (Faze Two)
In 1998 I recorded a song called Jeweler’s Dive. It was one of only a few jazz-inspired drum and bass tracks I made during my loungy, loungy period of the late ’90s. An edited version enjoyed a mini-celebrity on Terminal Beats, a compilation released by indie jungle Chicago outfit Forte Recordings. (Old school ruffians will remember Midwest legends 3D and Snuggles.)
Continue readingAround the year 1997 I graduated from my awkward ’90s electronica phase and started producing truly polished, professional sounding dance music.
Between 1997 and 2004 I recorded tracks for a few national record labels, and even heard a few of my own songs on internet radio stations and once, unbelievably, in a department store!
Continue readingThey say that anything worth doing is worth doing badly. This has been 100% true for my efforts in electronic music.
Here are some highlights from my wobblier days as a dance music producer, from about 1993 to 1997. (Back then I was recording under the name Wix.)
My first exposure to Lone was the refreshing and delightful (if slightly half-baked) Emerald Fantasy Tracks from 2010. Like so many of my electronic albums, I have absolutely no idea how I stumbled upon it. I’m so glad I did. Galaxy Garden, his follow up collaboration with Machinedrum, made it into my top 20 favorite albums of all time. I’ve been a devoted fan ever since.
Welcome to part two of Hardcore Math User’s liquid funk history lesson!
Picking up where Faze One left off, Faze Two ups the tempo and brings a stronger funk aesthetic to the table while maintaining that shimmering watery vibe perfected by late ’90s melodic drum & bass.
Continue readingIt’s early summer, the perfect time of year for melodic drum & bass!
As always, there’s a bit of a history lesson. Liquid funk came of age around 2004, but the birth cries could be heard as far back as the early ’90s with the dawn of drum & bass itself.
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It was impossible to escape The KLF for a while there in the early ’90s. You couldn’t walk into a nightclub without hearing instantly catchy hits like What Time is Love, 3AM Eternal, Last Train to Transcentral, and (of course) Justified and Ancient featuring Tammy motherfucking Wynette.
One of my only professional releases ever, from way back in 2003. Vinyl only, probably just a few hundred ever made. And hey—it even has a discogs page!
Visit my Millennial Lounge page to hear these tracks.
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